We go back a long, long way
One for the Wall came out of a duo formed by two architecture undergraduates at Bristol University in the mid ‘70s. Joanna Elford, a classically-trained soprano, and singer-guitarist Bernard Hanaway performed in folk clubs and on local radio.
In 1977, Bernard moved to Oxford, becoming part of the thriving student music scene. Through mutual friends he met bass player and amateur broadcaster Andrew Burnham. They put together a band with two undergraduates, drummer Paul Campbell and guitarist/keyboard player Paul Wiffen, to enter a competition called “A Song For Oxford”.
In the house shared by various members of the band at various times, there was a noticeboard on the wall for reminders, bills and so on. When thinking about a name for the band, suggestions would go up on the noticeboard. Someone said “that’s one for the wall” and a name was found by accident.
They didn’t win the competition, but a series of college gigs followed.
A year later Andrew’s old schoolfriend Colin Wight, who had been with him in bands since they were 17, moved back to Oxford. Colin was recruited on electric and 12-string acoustic guitar. One for the Wall’s HQ was 41 Bullingdon Road in East Oxford, a freezing hovel which Andrew, Colin and Wiff shared with a brilliant Chemistry undergrad, Peter Hancock, who built a 12-channel mixing desk and became their recording engineer.
At Bernard’s behest, Jo, still living in Bristol, joined the boys at weekends. So the original duo became a six-piece, whose melodic arrangements accompanied sophisticated lyrics – at a time when the industry was dominated by punk, disco, soft pop and novelty acts (e.g. Jilted John, Father Abraham and the Smurfs!). Bands like One for the Wall didn’t fit into any of the marketable categories. Aside from a few cover versions, the new band only performed material written by Bernard – as they do today.
After only a few weeks’ practice, One for the Wall entered the 1978/9 Melody Maker Rock/Folk contest, winning their heat and progressing to the final at Soho’s famously sweaty Marquee Club. They performed “Must You Be Going?”, “Harvest of Our Love” and “Cold Toast Blues”.
The competition, chaired by Chris Welch, was won by Splodgenessabounds, who soon afterwards had a UK Top Ten hit with ‘Two Pints of Lager and a Packet of Crisps Please”. Bern’s finely crafted, emotionally-charged songs never stood much chance!
Back in Oxford, One for the Wall went to work and recorded a dozen of Bern’s songs on four-track tape in the University’s Banbury Road studios. Appointments with the (then) all-powerful A&R men came to nothing. In any case, in summer 1979 the younger members of the band had left university and were going their separate ways.
Bern, Col and Andy remained in Oxford, forming a quartet they named Inside Story with jazz-rock drummer Mark Pilkington. The new material, more rhythmically complex and edgier than before, featured two lead guitars, with Bern the main singer and Colin wielding a mighty Shergold double-neck.
They rehearsed meticulously and gigged regularly all across town, supporting visiting artists such as Wilco Johnson. A selection of songs, entitled “Inside Story”, was recorded on 16-track tape but, once again, not released. In 1984 Colin moved back to London and the second iteration of the band broke up.
Bernard continued to write and record songs, and occasionally perform solo. For three decades One for the Wall ceased to exist.
Just before Christmas 2013, at the funeral of their greatest supporter and fan, BBC radio presenter John Shaw, Paul, Colin and Andrew floated the unlikely idea that the band should get together and make some proper recordings. Could it possibly work, 35 years on? Whilst Paul regularly played timpani with the Royal Northern Sinfonia, Andy and Colin had more or less given up playing altogether. And would Jo be interested in singing those songs again?
By now the various band members were strewn from Devon to Northumberland, with two living in South London and Bernard still based in Oxford. In 2014, they started to rehearse again. A year on, One for the Wall was playing again and back in business. The following year they booked into Newcastle’s Blast Studios to re-record their favourite songs from those early days. They recorded seven songs in under two days. A gig at the Miners’ Arms in Acomb followed.
Since then One for the Wall has embraced an almost entirely new and very diverse repertoire, all written by Bernard. Having tried out several studios in London and Oxfordshire, they now regularly rehearse and record at Glasshouse Studios in Cumnor, just west of Oxford.
Tentative open mic sessions at Oxford’s Harcourt Arms led to a proper gig (without drummer Paul Campbell) in the cramped, enthusiastic ambience of Klub Kakofaney at The Wheatsheaf, in January 2020. They were invited back for March 2020… then coronavirus struck.
While playing as a group remains on hold owing to the Covid-9 pandemic, the band continues to work on new material, mixed by Andrew.